I am in new territory. By intentionally positioning myself in unknown circumstances, I encounter embodied experiences of discovery. As a result, my practice is process-led and material-responsive, and I often work in direct contact with foreign landscapes. Experimental approaches to print, drawing, photography, and installation archive these experiences of reorientation. Often teetering on the edge of clarity and obscurity, they express an in-between space where protective layers incubate periods of flux. I am interested in the relationship between environment and the body and see touch as a form of navigation through moments of reorientation: a dialogue between the senses, thought, emotion, and physical sensation. Through participatory, event-based work, I initiate new forms of contact across multiple time zones. Blurring the line between near-far, interior-exterior, and individual-collective disrupts our sensory experience of place. This aims to generate kinship across distance and map the liminal nature of belonging.