Carl Dixon is the Owner and Senior Ecologist of DixonBrosnan Environmental Consultants. He has a broad range of experience in large scale infrastructural projects, commercial projects, agricultural developments, quarries and industrial developments. He is also an experienced free lance journalist working for national and regional publications in arts, features, sports, angling, ecology and science features.

Jacqui Feely joined Sample-Studios Board of Directors in the role of Treasurer in March 2021. She is a highly experienced arts and finance professional bringing many years of experience to the role of Treasurer. She was formerly Head of Finance at Cork Opera House until December 2021. She has a strong affinity with and is an avid supporter of the arts and culture in Cork. She holds a Bachelor of Business Studies from the University of Limerick and is a Certified Public Accountant. She brings over 30 years of experience in finance roles across various sectors in Ireland, the US, the UK and Germany. Feely has held many voluntary community roles, including with Kanturk Arts Festival where she presented her own poetry and plays. She works to support the behind the scenes work that ensures the sustainability of this important visual arts organisation.

John MacMonagle is a member of Sample-Studios since 2017, a board member since 2018 and was appointed Company Secretary in 2022. In the 70’s he graduated with a B.A. from NIHE (now UL) and a H. Dip. from UCC. He later attended Crawford College of Art and Design and was a member of Cork Arts Collective and worked as an arts administrator with Triskel Arts Centre. In the 80’s he taught in a finishing school in Switzerland and worked as a designer with QuarkXpressfor in the US before he came back to Cork, in 1993 and set up Raven Design, a visual communication company, where he is Creative Director. When he grows up he wants to be a full time artist. "I am a mature visual artist, practicing in painting and mixed media collage with a strong interest in contemporary experiences and interpretations of outsider cultures and psychological otherness. The image of the Head or “portrait” as both timeless symbol of human identity and contemporary image of fractured psyche has been the main focus of my research. I have returned to art practice after many years in other creative industries, driven by my life-held interest in contemporary art. As well as developing a new studio practice, the complex poetics of rendering the image of the human experience continues to develop and hold my attention – alongside my exploration of new, found and traditional materials. Materials sometimes suggest an image or prompt the charge of expressive gestures in the work. What runs through and continues to fascinate me is the primacy of art, its psychological force and my relationships with it." - John MacMonagle

Education professional with experience in marketing and fundraising. Eileen has been on the Board of Sample-Studios since May 2019. She is also a member of Sample-Studios' Education Programme Working Group.

Sarah Jayne Booth is a Cork based multi-media installation artist whose work centres on domesticity, gender inequality and social histories. She has an MA in Art & Process from MTU 2014 and maintains an actively engaged practice with a number of solo exhibitions, bursaries and notable group exhibitions. She initiated and heads up the collective r. a. g. e (realising•absolute•gender•equality) alongside Dr Eve Olney, Fiona Ní Leíme & Dr Honor Tuohy, their recent zine publications are available on weragetogether.com. Upcoming group exhibitions: Rua Red Spring Open and The Courthouse Gallery, Ennistymon. In 2022 she created a new body of work (for) All Our Grievous Doings for a group exhibition Bones in the Attic at the Hugh Lane Gallery, Dublin. Also in 2022 The Arts Council of Ireland acquired This will not be Pretty for their collection. Other noteworthy achievements in 2021 include a project award from the Domestic Violence Network Cork for the ‘16 Days of Activism’ campaign, it launched with a solo exhibition It’s still not Pretty in Triskel Arts Centre and Cork City Council Atrium. Also in 2021 she received an Arts Council Agility Award and a Bursary from Cork City Council which produced This will not be Pretty, an exhibition, performance and publication in collaboration with r.a.g.e. In 2020 she received Arts Council Professional Development Funding. She showed in three group exhibitions in 2019: I see crimson I see red, Cork, Cahoots A4 Sounds, Dublin and the Kinsale Arts Festival. In 2017 Diving the Wreck a collaboration with SoftTack was performed in UCC Cork, UCD Dublin and Lass Struggle UCL London. She’s had three other solo exhibitions at Signal Arts Centre, South Tipperary Arts Centre and the Bookcube Gallery and has been awarded residencies with 126 Artist–Run Gallery, Galway and Fire Station Studios, Dublin. She sits on the board of directors at Sample-Studios, Cork where she also holds a studio.

Rebecca Bradley is a visual artist living and working in North County Cork. Her painting practice explores ideas about landscape, abstraction and place-hood. In 2022 she was selected for the  Irish Contemporaries in CIACLA Santa Monica and, in 2019, for a residency at the Mark Rothko Arts Centre. She has recently expanded her practice to include performance as part of the Breaking Cover Collective at IMMA. Bradley holds an MA (Art and Process) & BA Fine Art ( MTU Crawford College of Art),  BA Sociology (Kingston University) and H. Dip in Co-op organisation, Food Marketing and Rural Development (UCC). She has been a Board member of Sample-Studios since 2018. Selected Exhibitions include: The Irish Contemporaries (2022), CIACLA, Los Angeles; Earth Rising, Irish Museum Modern Art (IMMA) (2022);  We Only Have the Earth, A4 Sounds, Dublin, (2021); Breaking Cover Performance, IMMA (2021); Slip Stream, MTU Gallery, Cork (2021); Rothko Art Centre Collection ,National Library, Latvia, (2020); Stories From Lismore & Beyond (2020); Athens Open, (2020); Rothko Painting Residency, Rothko Art Centre, Latvia (2019); We Each have our own Landscape, Arthouse, London,(2019); Group show, Municipal Art Gallery of Piraeus, Athens (2018); Misc Arts, Romania (2018); Thresholds, Gonzo, Thessaloniki, (2018); The More You See The less You Hold , Sternview, Cork,(2017);  Art Works, Visual, Carlow Arts Festival, (2016); Utopia Dystopia, Fringe Arts, Bath; Vestige of Place, Seamus Ennis Art Centre, Naul (2016). Her work is held in public and private collections in Australia, France, Germany, Ireland, Italy, Latvia, Switzerland, UK and USA. Recent acquisitions of her work have been made for the OPW State Art Collection and the Mark Rothko Art Centre, Daugavpils.  

Dr. James O'Sullivan is an author, researcher and educator across various topics in the digital humanities and digital culture, specifically, digital literary and cultural studies, and computer-assisted criticism. He began a lectureship in the Department of Digital Humanities at University College Cork in July 2017, having previously held faculty positions at the University of Sheffield and Pennsylvania State University. He has also taught in an adjunct capacity at Cork Institute of Technology and Washington State University, Vancouver, and held visiting fellowships at NOVA University, Lisbon and Trinity College Dublin. Dr. James O'Sullivan is involved with a variety of digital projects, including the Cork Film Festival digital archive and Joyce Word Dictionary. He presently serves as the Director of DHSI Atlantic, sits on the Research and Innovation Committee for the College of Arts, Celtic Studies & Social Sciences at University College Cork. He joined the Board of Sample-Studios in November 2020.

Dr Michael Waldron is a curator, educator, and researcher based in Cork, Ireland with an interdisciplinary background in literary criticism and art history. He is presently Curator of Collections & Special Projects at Crawford Art Gallery. He has previously lectured in English, Irish Studies, European Art History, and History of Art at University College Cork. He holds a PhD in English literature and has published on Irish artists John Hogan, Samuel Forde, Patrick Hennessy, John Noel Smith, Joseph Heffernan, John Rainey, and writer Elizabeth Bowen. He is on the editorial board of The Elizabeth Bowen Review. He has previously been co-investigator of The Samuel Forde Project (2012-14) and research assistant for Deep Maps: West Cork Coastal Cultures (2016-17). He has co-curated the exhibitions The Crawford at the Castle (2016-17) at Dublin Castle, and Samuel Forde: Visions of Tragedy (2014) and The Gibson Bequest 1919-2019: Selecting, Collecting & Philanthropy (2019-20) at Crawford Art Gallery. He is the curator of Deep Maps: West Cork Coastal Cultures (2017) at The Glucksman and several further exhibitions at Crawford Art Gallery, including Recasting Canova(2019-2022). He has also coordinated the events Living Artists in National Collections (2017) at Dublin Castle, ‘A Heart That is Free’: Terence MacSwiney in Context (2016) at Cork Opera House as part of Cork Midsummer Festival, and DUETS: Creativity in Context (2014) facilitated by REACT Knowledge Exchange Hub at Firkin Crane, Cork. Access and education is at the core of each of these projects and endeavours, whether it takes the form of teaching, interpretation, facilitation, or curation. He joined the Board of Sample-Studios in August 2021.

Darius Whelan is a Senior Lecturer in Law in UCC. His research interests include Mental Health Law and Internet Regulation.  He is Director of UCC’s LLM in Intellectual Property and E Law.  Darius is co-founder of UCC's IT Law Clinic and a member of Creative Commons.  He is President of the Irish Mental Health Lawyers Association and Chair of UCC's Library Advisory Committee.  Darius is a past member of the national executive of the Irish Council for Civil Liberties. He has acting and singing experience, and has written prose pieces for RTE's Sunday Miscellany and Tenx9 storytelling.