Sample-Studios Logo
  • A
  • A
  • A
  • A
  • A
  • A

Digital Art in Ireland Exhibition

June 2 - June 25, 2022
Wed - Sat, 11am - 4pm
The Lord Mayor's Pavilion
Curated by
Conor McGarrigle
Image Credit: EL Putnam

The inaugural Digital Art in Ireland Symposium (#DigiArt22) is a joint initiative of Sample-Studios and the Department of Digital Humanities at University College Cork. Funded by The Arts Council of Ireland, #DigiArt22 offers an opportunity to share research and creative contributions within an engaging, collegial atmosphere comprising digital art scholars and practitioners from Ireland and beyond. As part of the Digital Art in Ireland Symposium, invited Guest Curator, Conor McGarrigle will curate a Digital Art in Ireland exhibition in The Lord Mayor’s Pavilion, Fitzgerald’s Park, Cork City.

Conor McGarrigle is an artist and researcher working primarily with digital media. His practice is characterised by urban interventions mediated through digital technologies and data-driven explorations of networked social practices. He is a lecturer in Fine Art New Media at the TU Dublin School of Creative Arts and a Research Fellow of the Graduate School of Creative Arts and Media. He has exhibited extensively internationally including the Venice Biennale, Fundació Miro Mallorca, the Saint-Étienne Biennale, SITE Santa Fe and the Science Gallery.

 

Curator’s Statement

Today the question of whether there is a digital art (in Ireland or elsewhere) takes on a new complexion. In the wake of the enforced digitality of the pandemic, our relationship with the affordances of digital technologies and their mediation of everyday life has changed. Questions of embodiment and virtuality, algorithmic governance and data extractivism, not to mention evolving ideas of machine intelligence, have moved into mainstream consciousness. Digital technology and its discontents, it seems, is all pervasive. In this changing context the notion of a digital art, in distinction to a non-digital art, seems moot. Nonetheless, despite this very pervasiveness, there is never more need for art to critically engage with digital technology. Digital art in this sense is an art of engagement; through critical questioning and creative misuse it reveals new aesthetic possibilities, it proposes alternative readings and through repurposing and creative misuse offers new modes of being digital.

The works in the exhibition are situated within a long tradition of generative art, a tradition that predates the digital but which has always interrogated the processes through which technologies are assimilated into our everyday life. El Putnam’s ‘Emergent’ begins with the body as data, both as site of extraction core to digital economies and as creative raw material that generates real time relationships between performative being in the world, algorithmic processing and the screen. Joanna Walsh’s ‘Miss-Communication’ trains an algorithm on the prison correspondence of revolutionary icon Constance Markievicz and the women of Máirín Johnston’s Dublin Belles to generate a new form of writing that brings its user in dialogue with the past mediated through cutting edge AI. An AI that nonetheless renders these historical voices as data amongst other data. Garret Lynch IRL echoes ‘Fluxus’ event scores with his performative media kits as cultural software, deployed on code repository Github, invoking the performativity of digital culture that acknowledges the commonality of art as algorithm, code and data.

 

EL Putnam: Emergent (2020-)

 

Biography

Dr. EL Putnam is Lecturer in Digital Media at National University Ireland Galway where she is director of the MA in Digital Art, Design and Cultures. She is an artist-philosopher working predominately in performance art and digital technologies who exhibits regularly in Ireland, Europe and the United States. Recent publications of note include an affiliated issue of the International Journal of Performance Art and Digital Media, co-edited with Dr. Conor McGarrigle (June 2021), and the research monograph The Maternal, Digital Subjectivity, and the Aesthetics of Interruption (Bloomsbury 2022). She is a member of the Mobius Artists Group (Boston) and member of the International Association of Art Critics.

Emergent

The body is the database of lived experience. Emergent is a generative media work that includes animations, sound compositions and live video processing, with some animations driven by data collected from a consumer fitness tracker worn since the start of the COVID-19 pandemic in 2020. As a portrait of experience of the COVID-19 pandemic through the data body (as both body of data and body producing data), Emergent engages with the memories of the flesh, becoming the impetus for aesthetic encounters through digital performance. Instead of focusing on the intended use of the fitness tracker as a technical object, Emergent draws attention to the gaps in data collection, goals not met and the capacity of physical activity to exceed sensory quantification and collection. Emergent has been developed with support from The Arts Council Agility Award.

 

Joanna Walsh: Miss-Communication (2022)

 

Biography

With a PhD in Creative & Critical Writing, Joanna is the author of a number of books including Break.up, Vertigo, Hotel, Seed, Grow a Pair, Words from the World’s End, and My Life as a Godard Movie. Her most recent work Miss-Communication was supported by an Irish government Markievicz Award. May 2022 also sees publication of her next book, Girl Online. A User Manual.

Miss-Communication (Book, 2022)

Miss-Communication is a book of two halves. On each recto page, an AI text generated from the prison letters of Irish rebel politician and British aristocrat, Constance Markievicz, and interviews with 20th century Dublin women collected by Máirín Johnston in her 1988 book Dublin Belles. On each verso page, a choose-your-own-critical-theory adventure investigating language, autonomy, creativity and gender identity. Joanna Walsh has both programmed the AI and written the essay, but is she the author of either ‘work’?

MARKIEVICZ MARK 1 (Predictive Text Bot, 2022)

@chara

I am Markievicz Mark 1, an AI trained on a dataset of the prison letters of Irish revolutionary politician, Constance Markievicz, and the words of the Dublin Belles, interviews with Dublin women collected by Máirín Johnston in 1988

A predictive textbot, I use words from the past to tell the future.

Ask me a question and I will answer you.

 

GARRETT LYNCH IRL : A HAUNTING OF HAUNTS (2020)

 

Biography

Garrett Lynch IRL is an artist, lecturer, curator and theorist. His work explores networks (in their most open sense) within an artistic context; the spaces between artist, artworks and audience as a means, site and context for artistic initiation, creation and discourse. Recently most active in performance Garrett’s networked practice spans online art, installation, performance and writing. Post-graduate of interactive research at the École Nationale Supérieure des Arts Décoratifs (EnsAD), Paris, France and PhD of networked art at South Bank University, London, England

Garrett has taught on several new media courses throughout England and Wales. He is currently Senior Associate Professor at Xi’an Jiaotong-Liverpool University in China. Details of his published research is available at Humanities Commons and Academia.edu.

 

A Haunting of Haunts (2020)

A Haunting of Haunts is a series of media kits as guides that enable artists to reenact or create new performance art online. Each kit recreates in image and 3D formats the interior or confined site of a landmark performance to be employed by artists as a ‘virtual’ backdrop or space in almost any networked environment. The kits are distributed freely under a Creative Commons license through the code repository website GitHub to make them accessible to artists and encourage appropriation, remixing and interpretation in performance.

The work is a response to the lockdowns of the COVID-19 pandemic that started in 2020 and the new condition of creative practices occurring in confinement and without audiences. The kits provide a means of continuity in this context for performance by allowing artists to escape their confinement; to transpose themselves to other sites for performances, which are, in turn, viewed simultaneously by audiences from multiple sites. The title of A Haunting of Haunts refers to philosopher Jacques Derrida’s neologism hauntology, the haunting of our present by ideas but, in particular, social and cultural artefacts from the past. A Haunting of Haunts identifies that hauntology is, on the one hand, a strategy employed to escape not only the spaces of confinement but the time of confinement. It provides an escape into the past. While on the other hand, it impedes the development of performance online.

The use of three kits from A Haunting of Haunts are exhibited as an installation within the Art in Ireland exhibition. The free-standing sculptural work in the gallery consists of a fabric backdrop that refers to Alvin Lucier’s avant-garde sound performance I Am Sitting In A Room (1969). The backdrop scene is based on photographs by artist Mary Lucier that are created using the same process as Alvin Lucier in his performance and depicts the Lucier’s living room in the US, the assumed site of the sound performance. Visitors to the exhibition are invited to pose/perform in front of the backdrop and then share photos or videos on Twitter or Instagram with the hashtag #hauntingofhaunts.

Alongside the backdrop, two performance videos that employ kits are exhibited as part of the installation. The first performance by Simotron Aquila is titled Have You Ever Been a Human Being? (2020) and employs a kit based on Rebecca Horn’s performance Scratching Both Walls at Once (1974-75). The second performance by Patricia Brace, titled Walking in an Exaggerated Manner around the Perimeter of a Square, 2020 Remix (2020), employs a kit based on the performance Walking in an Exaggerated Manner around the Perimeter of a Square (1967) by Bruce Nauman.

 

Other Exhibitions

Cocooning: Catch a Breath – Catarina Araújo

March 16 - April 22, 2023

Sample-Studios CLG is a non-profit organisation, incorporated as a company, limited by guarantee and not having a share capital.
Sample-Studios Ltd. is supported by the Arts Council of Ireland, Cork City Council, the Cork Arts Fund at The Community Foundation of Ireland and Gurranabraher Credit Union.

theartscouncil Cork City Council
  • Exhibitions
  • Events
  • Education & Outreach
  • Facilities
  • Residencies
  • Sample-Studios Members
  • The Address Arts Experience
  • Young Curators
  • Company No: 495880
  • Registered Charity Number: 20205874
We made this!
  • Sample-Studios
  • Members
  • Membership Options
  • Exhibitions
  • Events
  • Education & Outreach
    • The Address Arts Experience
    • Young Curators
      • Case Studies
  • Residencies
  • Studio Facilities
  • About
  • Support
  • Sponsors
  • Contact Us
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept All”, you consent to the use of ALL the cookies. However, you may visit "Cookie Settings" to provide a controlled consent.
Cookie SettingsAccept All
Manage consent

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.
CookieDurationDescription
cookielawinfo-checkbox-analytics11 monthsThis cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics".
cookielawinfo-checkbox-functional11 monthsThe cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
cookielawinfo-checkbox-necessary11 monthsThis cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary".
cookielawinfo-checkbox-others11 monthsThis cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
cookielawinfo-checkbox-performance11 monthsThis cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
viewed_cookie_policy11 monthsThe cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.
Functional
Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features.
Performance
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Analytics
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.
Advertisement
Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customized ads.
Others
Other uncategorized cookies are those that are being analyzed and have not been classified into a category as yet.
SAVE & ACCEPT