Sarah Long is an artist based in Cork. She creates autofiction that she translates across painting, performance and publication. Sarah identifies reverberations in Irish culture and combines these references with personal stories and motifs. She views this rearranging and reinterpreting of histories and visualities as an act of feminist fictioning, highlighting moments and ideas that haunt, shape and subjugate our collective consciousness. Recent exhibitions include a solo presentation at South Tipperary Arts Centre, Clonmel, (2025) and group shows at STARLING, Limerick (2025) and Pallas Projects / Studios, Dublin, (2024-25). Her debut novella, W/w, was published by Bloomers in 2024. Zarina Muhammad (The White Pube) comments on W/w: ‘I loved it, obviously, but more than that — I admired it and will hold it very close to my chest like a talisman, in the hope that it can serve me as an example’. In a 2025 exhibition review, The Irish Times describes her practice as a ‘blend of quasi-religious iconography, personal memory, poetic allusion and feminist semiotics’.
During this exhibition and residency, Sarah takes up the position of the girl or girlishness, to obfuscate archetypes such as woman or mother. Through her character Mary, Sarah engages in an autofictionalised approach. She will develop a new body of autofictional writing into a new performance. The work plays with the notion of the aisling, an Irish poetic genre where the nation appears to the poet in a dream in the form of a woman. Mary’s dreams offer a critique of inherited language and storytelling systems, while highlighting themes and motifs that reverberate throughout Irish culture such as the impact of colonialism, Celtic mythology and an affinity with the land. Sarah will use the space to arrange collaborations with musicians and to receive critical feedback from other artists and performers. Sarah will perform two public iterations of this work in progress during the month-long residency.
In October, Sarah will present a new exhibition in collaboration with curator Niamh Brown. Sarah and Niamh will engage in a sustained dialogue and create a survey of new and reimagined works that span expanded painting and sound. The work engages with the allegory of Mother Ireland and considers the landscape as an area of contradiction, both a space for the interior world to expand and the site of a patriarchal literary tradition that personifies the land as an archetype of the female ideal. Sarah eschews depicting the female body and instead positions the ‘bodily’ in the tradition of landscape to contest the historical ‘male gaze’. She engages with practices of both figuration (employing flora, such as the fern, as an allegorical approach) and abstraction (indexing of the body through gesture). This new presentation builds open Sarah’s interest in ‘girlishness’ as a political aesthetic of resistance.
TRISKEL SAMPLE Project Space
TRISKEL SAMPLE Project Space is a partnership between Triskel Arts Centre and Sample-Studios, one of Ireland’s largest artist studios. It provides a developmental project space for visual artists to test ideas, create new work and take risks within a hybrid artist workspace/public exhibition space.
TRISKEL SAMPLE Project Space was established in March 2024. Since then, it has hosted 44 artists who undertook 12 residencies, presented 13 Exhibitions, and facilitated 49 Free Public Events.
Visitors are invited to explore the Project Space and engage with residents’ and their work.
