My current work investigates the haptic nature and plasticity of the virtual space. I explore the everyday through mapping, sensing, and hacking, using time and sound as material, as well as analysing the body’s responses to immersive technology. With primary training in ceramics, I explore primitive rituals and how these engage with new technologies. Through my practice I engage participants in pedagogical and ethnographic processes. I have developed an expanded dialogical approach to art-making that enables communities to collaborate and co-produce the work.
