I work in a mindfully chosen maximalist fashion, flamboyant and gothic, making use of storytelling and world-building. More is, sometimes, more.
Pushing the envelope on what counts as print-based practice, inviting many disciplines into my work as both an artist and curator or applying printmaker’s habits (e.g. repetition, process, layering) to other aspects of cultural expression.
Through my work, I make humorous, satirical, lampooning or poignant observations of post-colonial Irish & European systemic frameworks. In that sense, it counts as “protest art”. However, I’m also careful to create work that doesn’t trigger anxiety. Art that soothes. I’m interested in locating the queer in the everyday and in strengthening the relationship between the human animal and the planet to which we belong.


