In her current body of work de Beer is exploring the aesthetics and concepts around libraries and archives. Conceptually examining her desire to continuously consume knowledge as a form of self-protection to alleviate anxieties. In her work, she is particularly examining her own library collection acting as a pseudo-librarian. Through this body of work nature, she is always trying to bridge the gap between visual art and the craft of bookbinding. One method is using bookbinding waste material in the art-making process. These waste elements are then translated through the mediums of artist books, pop-up books and printmaking; mainly etchings, collagraph and letterpress. Within her art-making process, she aims to use these materials and other visual signifiers of bookmaking to investigate the physicality of a book and the knowledge they hold.