The work utilises performance, sculpture, and text to interrogate questions surrounding the contemporary labourer. The adoption of methods such as appropriation and assemblage seek to examine changes occurring in workers’ labour processes. The term ‘precarity’ is integral to the work, this refers to all forms of flexible, contingent, and insecure employment. It focuses on managerial practice and project work in order to assess issues concerning the omnipresence of public relations in which symbols of productivity, the performance of engagement and coerced self-realisation have taken precedence.

