I am a visual artist working primarily in the mediums of sculpture and performance. This process-based practice positions the journey as an integral part of the finished piece. My practice considers the historical and contemporary lived experience of women as both disregarded and commodified objects. I continue to explore the experience of women’s bodies as both seen and unseen objects onto which value has historically been placed upon.

My medium of raw, unwashed, sheep’s fleece, still contains all the minerals needed to protect the ewe. Their fleece has little commercial value. I draw the comparison with the historical and colonial portrayal of the enslaved and in servitude women, who unlike the ewe, would not have had the luxury of unknowing their less -than existence.