My practice is an exploration of the non material by the use of paint as material. For me the use of paint endeavours to articulate the existence of fragility and temporality in the context of my personal experience of the everyday.
Findings, arrangements and observances from domestic and rural land and seascapes develop into abstractions that take the form of paintings by way of layers of gestures and a somatic involvement in mark making.
I attempt to decipher the delicate and often encumbering tension between large and small, rhythm and interruption, interior and exterior, self and other, night and day, stillness and movement and what happens within the slipping between the boundaries of these.
